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	<title>Los Angeles Or Bust &#187; Archetypes</title>
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	<link>http://www.losangelesorbust.com</link>
	<description>Blog dedicated to making it in LA</description>
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		<title>James Lipton Was Wrong / Archetypes</title>
		<link>http://www.losangelesorbust.com/2008/09/james-lipton-was-wrong-archetypes/</link>
		<comments>http://www.losangelesorbust.com/2008/09/james-lipton-was-wrong-archetypes/#comments</comments>
		<pubDate>Tue, 16 Sep 2008 23:00:17 +0000</pubDate>
		<dc:creator>Aadip</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Archetypes]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">http://nwsg.org/blog/?p=175</guid>
		<description><![CDATA[I&#8217;m watching Inside The Actor&#8217;s Studio with James Lipton interviewing John Cusack. JL referred to BEING JOHN MALKOVICH as a &#8220;Very high concept film.&#8221; I think he&#8217;s dead wrong, since John Cusack had asked WMA for the most unproduceable script they had and it took 4 years to make. Love the film, but doesn&#8217;t sound [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.nwsg.org/images/lipton.jpg" alt="" width="213" height="320" align="left" />I&#8217;m watching Inside The Actor&#8217;s Studio with James Lipton interviewing John<br />
Cusack.  JL referred to BEING JOHN MALKOVICH as a &#8220;Very high concept film.&#8221;<br />
I think he&#8217;s dead wrong, since John Cusack had asked WMA for the most unproduceable<br />
script they had and it took 4 years to make. Love the film, but doesn&#8217;t sound<br />
like a high concept to me.</p>
<p>A poignant moment of this episode occurred when a student asked if Mr. Cusack<br />
ever got blocked.  He answered by saying all actors go through that, but explained<br />
that he learned later in his career about using Jungian archetypes and embracing<br />
your shadow self&#8211;the self that embodies the things we want to deny about ourselves.<br />
Personally, I use this method to devise characters, especially my antagonists,<br />
false mentors, etc.</p>
<p><img src="http://www.nwsg.org/images/meetingtheshadow.jpg" alt="" width="167" height="254" /><img src="http://www.nwsg.org/images/DarkSide_website_medium.jpg" alt="" width="160" height="240" /></p>
<p>There are four books that specifically address this idea, which I think are<br />
of great benefit to us as writers: <strong>Meeting The Shadow</strong> (exerpts<br />
from various disciplines regarding the shadow side of our subconscious), <strong>The<br />
Power of the Dark Side</strong> (using classic archetypes to create new characters,<br />
namely villains), <strong>Psychology<br />
for Writers</strong> (general psych studies for writers<br />
who haven&#8217;t had therapy, j/k) and <strong>Archetypes<br />
for Writers</strong> (more specific work in archetypes).<br />
You don&#8217;t necessarily need all of them, but all are helpful in<br />
tapping the subconscious.  We have these for sale on our <a href="http://www.nwsg.org/books.html">website</a>.</p>
<p><img src="http://www.nwsg.org/images/PsychScrnWrtrs_website_medium.jpg" alt="" width="160" height="240" /><img src="http://www.nwsg.org/images/Archetype4Wrtrs_website_medium.jpg" alt="" width="160" height="240" /></p>
<p>Oh, the little interview with Heather and me made it to the <a href="http://austinfilmfestival.blogspot.com/2008/09/how-to-do-austin-film-festival.html" target="_blank">official AFF website</a>.</p>
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